2014 Year In Review
- January 6th, 2015
- By Verderber
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Zero Untitled’s 2014 was full of firsts and visits from the recent past. From travelling to St. Louis to performing at the largest Shakespeare festival in the country to reopening the Wonderland Ward, Zero Untitled had a busy year:
January to February – The beginning of the year was the season of Premature Punchline, with performances ranging from Kingsville to Corpus Christi. February brought the annual gaming and otaku convention GATO-Con, where Premature Punchline fills the house. February also introduced the first Textual Overture of 2014, including Zero Untitled’s first ever jazz musician.
March to April – Premature Punchline was still going strong in March, performing multiple times at the comedy club Chuckles in downtown Corpus Christi. Zero Untitled’s fifth Dark Tour, “The Factory,” sent sickeningly sweet shivers down the spines of many while certain members of Zero were preparing feverishly for the performance of “The Rape of Lucrece” in April at Shake38, the largest Shakespeare festival in the United States. But before the crew could race off to Missouri, Textual Overture had one more performance.
May to June – May was the month of the Happenings, where Creative Director Michael Verderber introduced a class to teach the members of Zero Untitled exactly what a Happening was and how to perform one. After planning the rest of the 2014 year, Zero Untitled embarked on the journey of the Happening, beginning first with an online show where the virtual audience called the shots, called “Mindless Men,” and wrapping up June with another Textual Overture performance.
July to August – July was the season of Corpus Christi 7-Day Film Project, and “Catchweight” was born, production lasting into the middle of the month while “Dual Sex,” another Happening about rape culture, was performed twice. August brought two Los Angeles premieres of Zero Untitled shows, “From Inside,” and “GPS: Gender’s Problematic Situation.” Zero also went behind the camera for poetry videos, where “Café Triste,” and “Mal de Ojo” were born. At the tail end of the month, “’Twas the Flop Before Christmas” (staged a few years ago) was published.
September to October – September brought a short film festival, where short films such as “Mal de Ojo,” “Café Triste,” and “Catchweight” premiered. In October, Zero Untitled produced its New Foundations Theatre Festival, a collection of one act plays that centered almost exclusively around new actors to the company. “Consequences,” previously performed at Textual Overture, was published online on Dialogual’s website, and another Textual Overture was performed.
November to December – November brought back that which was only temporarily gone: Wonderland Ward. First, “The Secrets of Wonderland Ward” reminded audiences exactly what the previous Wonderland shows brought: madness and bedlam, and the whole Dark Tour, “The Wonderland Massacre” premiered only shortly after that. December introduced a first for Textual Overture: the first holiday-themed performance. “Unconditional” and “Ghosts,” two previous Textual Overture pieces, were published and Zero wrapped the year with Octavio Quintanilla’s third poetry video, “Messages” going into production. See that video below in the previous post.
(Photos: TOP, ZU Christmas Party; MID, “The Mindless Men” performance in Corpus Christi; Bottom, back stage antics during the New Foundations Festival)
(Pictured: Audience member A. Guzman, R. Trujillo, and L. Guerra.)
